Internet Shakespeare Editions

About this text

  • Title: The Tempest: Critical Introduction
  • Author: Paul Yachnin
  • ISBN: 978-1-55058-370-0

    Copyright Paul Yachnin. This text may be freely used for educational, non-profit purposes; for all other uses contact the Editor.
    Author: Paul Yachnin
    Not Peer Reviewed

    Critical Introduction

    Works Cited

    1. Aristotle. Aristotle's Poetics, trans. S. H. Butcher, intro. Francis Fergusson (New York: Hill and Wang, 1961).
    2. Augustine. The Confessions of St. Augustine, trans. John K. Ryan (Garden City, NY: Image Books, 1960).
    3. Bakhtin, Mikhail. Speech Genres and Other Essays, trans. Vern W. McGee (Austin: University of Texas Press, 1986).
    4. 195Barish, Jonas. The Antitheatrical Prejudice (Berkeley: University of California Press, 1981).
    5. Bate, Jonathan. Shakespeare and Ovid (Oxford: Clarendon Press, 1993).
    6. Bate, Jonathan. Shakespeare and the English Romantic Imagination (Oxford: Clarendon, 1986).
    7. Berger, Harry Jr. "Miraculous Harp: A Reading of Shakespeare's Tempest," Shakespeare Studies, 5 (1969): 255-6, 257.
    8. Boehrer, Bruce. Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England (New York: Palgrave 2002)
    9. 200Breight, Curt. "'Treason Doth Never Prosper': The Tempest and the Discourse of Treason," Shakespeare Quarterly 41 (1990): 1-28.
    10. Bristol, Michael D. Big Time Shakespeare (London and New York: Routledge, 1996).
    11. Bristol, Michael. "'A System of Oeconomical Prudence': Shakespearean Character and the Practice of Moral Inquiry," in Shakespeare and the Eighteenth Century, ed. Peter Sabor and Paul Yachnin (Aldershot: Ashgate, 2008), 13-27.
    12. Brockbank, Philip. "'The Tempest': Conventions of Art and Empire," in Later Shakespeare, ed. John Russell Brown and Bernard Harris London: Edward Arnold, 1966, 183-201.
    13. Brower, Reuben Arthur. "The Mirror of Analogy" 'The Tempest," in The Fields of Light: An Experiment in Critical Reading (New York: Oxford University Press, 1951)
    14. 205Callaghan, Dympna. "Irish Memories in The Tempest," in Shakespeare without Women: Representing Gender and Race on the Renaissance Stage (London and New York: Routledge, 2000), 97-138.
    15. Carroll, Lewis. Complete Works, intro. Alexander Woollcott (New York: Modern Library, nd).
    16. Césaire, Aimé. A Tempest, trans. Richard Miller (New York: Ubu Repertory Theater Publications, 1992).
    17. Chambers, E. K. William Shakespeare: A Study of Facts and Problems, 2 vols. Oxford: Clarendon Press, 1930.
    18. Cheney, Patrick. Shakespeare's Literary Authorship Cambridge: Cambridge University Press, 2008.
    19. 210Coleridge, Samuel Taylor, and Willam Wordsworth. "Preface to the Lyrical Ballads" (1800), in English Romantic Poetry and Prose, ed. Russell Noyes (New York: Oxford University Press, 1956).
    20. Coleridge, Samuel Taylor. Shakespearean Criticism, ed. Thomas Middleton Raysor (2nd ed. London: Everyman's Library, 1960).
    21. Dobson, Michael. "'Remember / First to possess his books': The Appropriation of The Tempest, 1700-1800," Shakespeare Survey, 43 (1991): 99-107.
    22. Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769(Oxford: Clarendon Press, 1992).
    23. Dodd, William. "Character as Dynamic Identity: From Fictional Interaction Script to Performance," in Shakespeare and Character, 62-79.
    24. 215Dowden, Edward. Shakspere: A Critical Study of his Mind and Art (rpt. London: C. Kegan Paul, 1879).
    25. Dryden, John. The Works of John Dryden, vol. 10 (Berkeley: University of California Press, 1970).
    26. Engle, Lars. "Sovereign Cruelty in Montaigne and King Lear," in Shakespearean International Yearbook, 6 (2006): 119-39.
    27. Erne, Lukas. Shakespeare as Literary Dramatist Cambridge and New York: Cambridge University Press, 2003.
    28. Fanon, Franz. Black Skin, White Masks, trans. Charles Lam Markmann (New York: Grove Press, 1967).
    29. 220 Forbidden Planet, Continuity Script (Culver City: Loew's, 1956; downloaded June 13 2011).
    30. Frey, Charles. "The Tempest and the New World," Shakespeare Quarterly, 30 (Winter 1979): 29-41.
    31. Frye, Northrop. The Secular Scripture: A Study of the Structure of Romance (Cambridge, MA: Harvard University Press, 1976),
    32. Geneva Bible. The Geneva Bible: A Facsimile of the 1560 Edition, ed. Lloyd E. Berry (Madison, University of Wisconsin Press, 1969).
    33. Grady, Hugh. "Shakespeare's Links to Machiavelli and Montaigne: Constructing Intellectual Modernity in Early Modern Europe," Comparative Literature 52 (2000): 119-42.
    34. 225Greene, Roland. "Island Logic," in "The Tempest" and Its Travels, ed Peter Hulme and William H. Sherman (Philadelphia: University of Pennsylvania Press, 2000), 138-45.
    35. Hamilton, Donna B. Virgil and The Tempest: The Politics of Imitation (Columbus: Ohio State University Press, 1990).
    36. Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare 2 vols. Oxford: Clarendon Press, 1963.
    37. Howard-Hill, Trevor. Ralph Crane and Some Shakespeare First Folio Comedies Charlottesville: University Press of Virginia, 1972.
    38. Hughes, Paul L., and James F. Larkin, ed. Tudor Royal Proclamations (New Haven: Yale University Press, 1969).
    39. 230James, Mervyn. Society, Politics and Culture (Cambridge, Cambridge University Press, 1986).
    40. John Fletcher, The Faithful Shepherdess, in The Dramatic Works in the Beaumont and Fletcher Canon, general ed. Fredson Bowers, 10 vols. (Cambridge: Cambridge University Press, 1966-96), 3: 497.
    41. Johnson, Samuel. A Preface to Shakespeare, in Dr. Johnson on Shakespeare, ed. W. K. Wimsatt (Harmondsworth: Penguin, 1969).
    42. [Johnson, Samuel.] [William Shakespeare] Plays, ed. Samuel Johnson and George Steevens, 15 vols. (London, 1793).
    43. Jonson, Ben. Bartholomew Fair, ed. Suzanne Gossett, Revels Plays Manchester University Press, 2000.
    44. 235Jowett, John. "New Created Creatures: Ralph Crane and the Stage Directions in 'The Tempest,'" Shakespeare Survey 36 (1983): 107-20.
    45. Kastan, David Scott. "'The Duke of Milan / And His Brave Son': Dynastic Politics in The Tempest," in Critical Essays on Shakespeare's The Tempest, ed. Virginia Mason Vaughan and Alden Vaughan (New York: G. K. Hall, 1998), 91-103.
    46. Kermode, Frank. "Introduction," The Tempest, Arden Shakespeare (Cambridge, MS: Harvard University Press, 1954).
    47. Kernan, Alvin B. Shakespeare, The King's Playwright: Theater in the Stuart Court, 1603-1613 New Haven: Yale University Press, 1995.
    48. Kirsch, Arthur. "Virtue, Vice, and Compassion in Montaigne and The Tempest." Studies in English Literature 37 (1997): 337-52.
    49. 240Kott, Jan. "The Aeneid and The Tempest,' Arion, NS 3 (1976): 424-51.
    50. Lee, Sidney. A Life of William Shakespeare (London: Smith, Elder, 1898).
    51. Leininger, Lorie Jerrell. "The Miranda Trap: Sexism and Racism in Shakespeare's Tempest," in The Woman's Part: Feminist Criticism of Shakespeare, eds. Carolyn Ruth Swift Lenz, Gayle Greene, and Carol Thomas Neely (Urbana: University of Illinois Press, 1983), 285-94.
    52. Lindley, David. "Introduction," The Tempest, New Cambridge Shakespeare (Cambridge: Cambridge University Press, 2002), 18-25.
    53. Loomba, Ania. Gender, Race, Renaissance Drama (Manchester: Manchester University Press, 1989).
    54. 245Mannoni, O. Prospero and Caliban: The Psychology of Colonialism, trans. Pamela Powesland (London: Methuen, 1956).
    55. Maus, Katharine Eisaman. "Arcadia Lost: Politics and Revision in the Restoration Tempest," Renaissance Drama, ns 13 (1982): 189-209.
    56. McDonald, Russ. Shakespeare's Late Style (Cambridge: Cambridge University Press, 2006),
    57. Montaigne, Michel de. "Of the Caniballes," in The Essays of Montaigne, trans. John Florio, intro. J. I. M. Stewart (New York: Modern Library, 1933).
    58. Neill, Michael. "'Noises, / Sounds, and sweet airs': The Burden of Shakespeare's Tempest," Shakespeare Quarterly, 59 (2008): 36-59.
    59. 250Nosworthy, J. M. "The Narrative Sources of The Tempest," RES, 24 (1948): 281-94.
    60. Orgel, Stephen. "Introduction," The Tempest, Oxford Shakespeare (Oxford University Press, 1987).
    61. Pitcher, John. "A Theatre of the Future: The Aeneid and The Tempest," Essays in Criticism, 34 (1984): 193-215.
    62. Prosser, Eleanor. "Shakespeare, Montaigne, and the 'Rarer Action,'" Shakespeare Studies 1 (1965): 261-64.
    63. Riverside Shakespeare, The, G. Blakemore Evans, textual ed., 2nd ed. Boston: Houghton Mifflin, 1997.
    64. 255Roberts, Jeanne Addison. "Ralph Crane and the Text of The Tempest," Shakespeare Studies 13 (1980): 213-33.
    65. Rougement, Denis de. Love in the Western World, trans. Montgomery Belgion (New York: Harcourt, Brace, 1940).
    66. [Rowe, Nicholas.] The Works of Mr. William Shakespeare, ed. Nicholas Rowe, 6 vols. (London, 1709).
    67. Sanders, Julie. Shakespeare and Music: Afterlives and Borrowings (Cambridge: Polity, 2007).
    68. Schalkwyk, David. Shakespeare, Love and Service (Cambridge: Cambridge University Press, 2008).
    69. 260Schwenger, Peter. "Prospero's Books and the Visionary Page," Textual Practice, 8 (1994).
    70. Sepulveda, Juan Ginés de. "Just War in the Indies" (ca. 1547), in Jon Cowans, Early Modern Spain: A Documentary History (Philadelphia: University of Pennsylvania Press, 2003).
    71. Shannon, Laurie. The Necessary Animal: Zootopian Politics in the Environs of Shakespeare (Chicago: University of Chicago Press, forthcoming).
    72. Skura, Meredith Anne. Discourse and the Individual: The Case of Colonialism in The Tempest," Shakespeare Quarterly, 40 (1989): 42-7.
    73. Strachey, William. A True Reportory of the Wracke and Redemption of Sir Thomas Gates, in Samuel Purchas, Purchas his Pilgrim London 1625.
    74. 265Vaughan, Alden T. "William Strachey's 'True Reportory' and Shakespeare: A Closer Look at the Evidence," Shakespeare Quarterly, 59 (2008): 245-73.
    75. Vaughan, Alden T., and Virginia Mason Vaughan. Shakespeare's Caliban: A Cultural History (Cambridge: Cambridge University Press, 1991).
    76. Vaughan, Virginia Mason, and Alden T. Vaughan. "Introduction," The Tempest, Arden Shakespeare (London: Thomson, 1999), 73-124.
    77. Vergil. The Aeneid, trans. H. Rushton Fairclough, 2 vols. (Cambridge, MA: Harvard University Press, 1916).
    78. Warner, Michael. Publics and Counterpublics (New York: Zone Books, 2002).
    79. 270Wells, Stanley. "Shakespeare and Romance," Later Shakespeare, ed. John Russell Brown and Bernard Harris (London: Edward Arnold, 1966),
    80. Wilson, Bronwen, and Paul Yachnin. "Introduction," Making Publics in Early Modern Europe: People, Things, Forms of Knowledge (London and New York: Routledge, 2009), 1-21.
    81. Wiltenburg, Robert. "The Aeneid in The Tempest," SS, 39 (1987): 159-68.
    82. Yachnin, Paul, and Myrna Wyatt Selkirk. "Metatheatre and Character: The Winter's Tale," in Shakespeare and Character: Theory, History, Performance, and Theatrical Persons,ed. Yachnin and Jessica Slights (London: Palgrave, 2009), 139-57.
    83. Yachnin, Paul. "'If by your art': Shakespeare's Presence in The Tempest," English Studies in Canada, 14 (1988): 119-34.
    84. 275Yachnin, Paul. "Eating Montaigne," in Reading Renaissance Ethics, ed. Marshall Grossman (New York and London: Routledge, 2007).
    85. Yachnin, Paul. "Shakespeare and the Idea of Obedience: Gonzalo in The Tempest," MOSAIC, 24 (1991): 1-18.
    86. Yachnin, Paul. "Sheepishness in The Winter's Tale," in How to do Things with Shakespeare, ed. Laurie Maguire (Oxford: Blackwell, 2008), 210-29.
    87. Yachnin, Paul. "The Powerless Theater," in Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value (Philadelphia: University of Pennsylvania Press, 1997), 1-24.
    88. Zabus, Chantal. Tempests after Shakespeare (New York: Palgrave, 2002).